borrowed lips sparkle
with the glitz and glam of a 70s episode of TOTP.
a blue powder forms a cloud in the bar of the pub in which we sit.
i came of my own accord,
but now there are 3 people at my table,
wearing my girl's glitter.
i wonder what she's doing here,
flying nest to nest,
spreading shiny love,
like a generous polychromatic magpie.
a free bird,
like in that cheesy song.
eight for a wish
nine for a kiss
ten for a bird that you won't want to miss.
i'd like to blame someone,
but i probably twist my own knife,
just by associating with the love of my life.
listening to her harp on about the sticky details
of her other romantic interests.
is this masochism? jesus.
my eyes so open and tender
to open and tender lips on others',
when her legs aren't open to me.
those lips so closed and without tongue
when she says the words
i love you, like ventriloquist's words
that i can hardly understand.
like tragic mime,
they hardly move.
tantric.
i listen to her moan as i finish my pint,
and make conversation with her other lovers,
oblivious to the situation.
it riles me like playground injustice.
can't stand the tease
of baby, you're the one
with so many prime numbers
triangulating spirals
and ugly emotional geometry.
but there aint no law in love
so i leave the pub.
Monday, April 25, 2011
Monday, April 18, 2011
sauce
poem about condimental preferences from about 6 years ago (when poems rhymed)
* * * * * * * * * * *
i maintain it's insane,
if the meal isn't plain,
to prostrate to a state.
homogenise your plate.
'cause i wont love the neighbour
who'd savour the flavour
of table sauce bought
by the sort who support
mayonnaise as a glaze,
(this i can't give praise).
and i frown on those
who might drown with brown
a genteel meal,
or a prime cut of veal.
with tomato, it's hard to,
escape ostinato.
a jar of tartar,
i see off with "ta-ta" too.
now let this dirge
mourn the tastes that have merged,
and i urge, stop the splurge;
stop your bottle's surge.
it's a sin to begin!
wipe the muck from your chin!
...this dish is delic'
without any false swish!
Sunday, April 17, 2011
verge
frantic exploration of this slim, skin island,
with hands that want to be hard and soft,
rough and smooth, stroking and clawing,
like a perfect paradox that doesnt confuse.
deltas, ridges, planes, verges,
inclines, corners, coasts, clefts,
pinching peaks and just scratching the surface.
surfing fur and folds to the edges of skin.
to the ends of the world,
where you fall off, or fall in.
it still makes my eyes swell
when i see my sexual digit disappear inside a girl.
remembering the glee of my virginity slipping out of sight,
and that this was as close as i was ever going to get
to being back in the womb.
...now i'm digging myself a hole.
...and later, when everything is old and broken,
with hands that want to be hard and soft,
rough and smooth, stroking and clawing,
like a perfect paradox that doesnt confuse.
deltas, ridges, planes, verges,
inclines, corners, coasts, clefts,
pinching peaks and just scratching the surface.
surfing fur and folds to the edges of skin.
to the ends of the world,
where you fall off, or fall in.
it still makes my eyes swell
when i see my sexual digit disappear inside a girl.
remembering the glee of my virginity slipping out of sight,
and that this was as close as i was ever going to get
to being back in the womb.
...now i'm digging myself a hole.
...and later, when everything is old and broken,
they'll dig up the earth
and put me back in a hole.
and put me back in a hole.
short of advice
good writing is like a traditional wedding.
you will need:
something old
something new
something borrowed
something blue.
and who the fuck is the holy ghost?
smell
i say, i say, i say, my fly has no nose.
then how does it smell?
well, it's got a thousand eyes and that sort of compensates.
a pollution of scents in the perfume clouds of coughing crowds
you smell of alcohol and the sucked souls of foliage
and hold your nose when i raise my arm to ask a question
coz i am an animal and smell like one.
coz i refuse to plagiarise the natural copyright of flowers' identities.
coz i have no one to impress and dont do market research.
so, sniff my pits, fucker.
then how does it smell?
well, it's got a thousand eyes and that sort of compensates.
a pollution of scents in the perfume clouds of coughing crowds
you smell of alcohol and the sucked souls of foliage
and hold your nose when i raise my arm to ask a question
coz i am an animal and smell like one.
coz i refuse to plagiarise the natural copyright of flowers' identities.
coz i have no one to impress and dont do market research.
so, sniff my pits, fucker.
making a killing is murder
i was just killing time like casual murder. dropped a fag to the concrete. stamped. killed it, and thought, 'i can stamp and stomp all i want but you're killing me, arent you? you fucking scrunch of smoke. you slug'. tobacco! tobacco! like a coughing opera. i wasn't sure if it was a friend or foe. manifesting doubts. and then i realised that i had nothing on time either, and that i was the victim of time's violence, rather than the inverse, as everyone seemed to believe. what nonsense is pop. what next? we're killing mother earth? no, mother earth can shrug us off at any moment. environmentalists are in denial and can't admit to themselves that they care most about saving their own skin. mother earth doesnt give a fuck about plastic or CO2. she's looking out at those asteroids, smiling, waiting for release. yeh, yeh, like, trust me, i've asked her.
Wednesday, April 13, 2011
wisp
so weak i cant hold a book up to my face.
and this pen is difficult.
it's not the top of a lap that writes,
but the bottom of a ball,
leaking ink,
as usual.
i lie here, still
in bed, breathing slow and thin,
like the smoke from a discarded fag
in my ashtray, still burning,
in a graveyard of cummpled worms;
it's soul ascending to heaven in whispers,
and the rest is rust and dust to dust -
sticking to the earth and rot.
so faded and light,
i wonder how gravity still holds me down.
and my sinking eyes
(pale echoes of hospital vacuums),
there's no surprise,
when i gawp in a vacant mirror,
and cannot cry.
when i die,
i want to be buried in a graffitied cardboard box,
so there'll be nothing left of me to see,
except paper.
and this pen is difficult.
it's not the top of a lap that writes,
but the bottom of a ball,
leaking ink,
as usual.
i lie here, still
in bed, breathing slow and thin,
like the smoke from a discarded fag
in my ashtray, still burning,
in a graveyard of cummpled worms;
it's soul ascending to heaven in whispers,
and the rest is rust and dust to dust -
sticking to the earth and rot.
so faded and light,
i wonder how gravity still holds me down.
and my sinking eyes
(pale echoes of hospital vacuums),
there's no surprise,
when i gawp in a vacant mirror,
and cannot cry.
when i die,
i want to be buried in a graffitied cardboard box,
so there'll be nothing left of me to see,
except paper.
Monday, April 11, 2011
hung
i wake up and im already dying.
oh god, what have i done to deserve this?
i get my answers.
a half eaten Döner in my sleeping bag
car parts scattered around the room
5 people who dont know each other
and i dont know them
i am totally soaked
from head to toe
and i dont know why
i drink at Fisch
till i cant hold a cue
or else fly off in the storm
bloody knuckles
different clothes
i dont know how
and blame doesnt exist.
nothing exists.
i think.
i am.
it is.
fuck it.
oh god, what have i done to deserve this?
i get my answers.
a half eaten Döner in my sleeping bag
car parts scattered around the room
5 people who dont know each other
and i dont know them
i am totally soaked
from head to toe
and i dont know why
i drink at Fisch
till i cant hold a cue
or else fly off in the storm
bloody knuckles
different clothes
i dont know how
and blame doesnt exist.
nothing exists.
i think.
i am.
it is.
fuck it.
free love (D4M)
a handshake,
a hug,
a poem,
art,
anything you put your heart
in 2
and when push comes to shove,
break your back in, too
the big head sea made 4. teil
keine haare an den beinen und keine cellulite. last n1te a sweet polish. girl - imeenwoman - imeenshehasakid - she got me in a bottle. back to black jägermeister. nip n tuk me in Bella 2goC a show, cow in sea dent ally, or thru un-noun similarity of tastes and flavours, 111of my faaave-writ bandz. wrist bands. rawk! BATTLES. shudder-nt name. drop - (l8r h8rs) - pop2. hop2 the nxt txt, next bar::: KØPI. should earnt naym. drop. another show, but NO. out staged by our entrance, we staggered in shifts. everyone shift was there, ro-bean and toe-b and man-u and eli-arsch and yo-hana and shift . . nd . . los . v . . utha . thngs . blurrring in the blender. the n the ton gue tide stummble home. some shelterless art.ists R selling, sailing, draw rings for 1 or 2 your-O under ▼ oberbaumbrücke. icy a mermaid wiv a cunt. how can eye RESIST? then we got 2 herz. end i got laidlike the 1st thyme in months. i got out. i got some shift. igotit. may bee. i will be Abel. to stop. the-ink-king bout LEGS 4 sum weeks. shift.
an excersise in chopping up
sentences.
everyone is so fucking COOL
(as cool as sunglasses)
Mauer - Park - Berlin
where every weekend is a festival
where there are so many legs -
coz it's april:
all these legs like i'm gonna cry
LEGS!#
striped & tight, or else
bare and open.
i have to puke.
i am a mess.
i am crumpled,
like neglected notes.
scribbled and blowing down the road.
brooding in public.
in the light.
i need to get out more.
i never felt so lonely
as in paradise.
alone without the constant pressure
of a hug.
or the beat of the sun,
hurting me.
making me feel alive.
the population of fists in the mosh-pit.
the orgies that have to happen,
to stop us from going mad.
it's much easier to belong in a smaller group
that is not daunting
or crowded with competition.
where there is space for everyone.
where legs are familiar.
shift.
Bare IV
we yawn to release pressure in our ears
then we wake up with a hard-on
an effect of the body re-pressurising itself.
enough tension in the bed?
we are all speaking different tongues and kissing different languages
fucking our dialects and stumbling over common threads
in bathrooms and beds
awkwardly and bizarrely
in stranger's houses
at 4 o'clock in the morning
in fantastic tangles
then we wake up with a hard-on
an effect of the body re-pressurising itself.
enough tension in the bed?
we are all speaking different tongues and kissing different languages
fucking our dialects and stumbling over common threads
in bathrooms and beds
awkwardly and bizarrely
in stranger's houses
at 4 o'clock in the morning
in fantastic tangles
in a naked mess
Friday, April 08, 2011
Bare I
i am not a rude boy.
and i cannot get it up.
and i'm not big enough either.
sorry Rihanna,
i don't think it's gonna work out, babe.
- - - - - - - - - - -
man-oh-man, do we have it good
question, Mark.
some of us wish we could lie like you can,
with your soft holes, so simple. safe.
just lie there with no responsibility in the act.
coz we're so scared of failing
so scared of performing
scared of the expectation
of being the male sex
of being judged -
we worry
wasnt emancipation about dissolving power?
didn't we have a sexual revolution?
did people not realise that the deep sexism comes not
from men against women, or vica-versa,
but from people who are scared to suck a cock,
and think eating pussy is disgusting.
who are dumb,
and keep genders as they are.
it is conservatives and the silent that are sexist!
we worry that our dick's are deformed maggots.
we worry we were the worst lay you ever had.
we worry that you will find out that we are nervous
and terrified creatures.
we worry that you'll find out that it's all a lie.
well, i'm bored of that.
fuck that.
it doesn't take any balls to lie;
that's why we do it all the time.
i've had enough of feeling like i have to make excuses,
when i don't fit the dream
to all my future lovers, i must run, yelling:
NO - i'm not gonna provide!
NO - i'm not gonna say forever!
NO - i'm not always gonna give you an orgasm!
NO - i'm not gonna be true!
NO - i'm not gonna die for you!
and i cannot get it up.
and i'm not big enough either.
sorry Rihanna,
i don't think it's gonna work out, babe.
- - - - - - - - - - -
man-oh-man, do we have it good
question, Mark.
some of us wish we could lie like you can,
with your soft holes, so simple. safe.
just lie there with no responsibility in the act.
coz we're so scared of failing
so scared of performing
scared of the expectation
of being the male sex
of being judged -
we worry
wasnt emancipation about dissolving power?
didn't we have a sexual revolution?
did people not realise that the deep sexism comes not
from men against women, or vica-versa,
but from people who are scared to suck a cock,
and think eating pussy is disgusting.
who are dumb,
and keep genders as they are.
it is conservatives and the silent that are sexist!
we worry that our dick's are deformed maggots.
we worry we were the worst lay you ever had.
we worry that you will find out that we are nervous
and terrified creatures.
we worry that you'll find out that it's all a lie.
well, i'm bored of that.
fuck that.
it doesn't take any balls to lie;
that's why we do it all the time.
i've had enough of feeling like i have to make excuses,
when i don't fit the dream
to all my future lovers, i must run, yelling:
NO - i'm not gonna provide!
NO - i'm not gonna say forever!
NO - i'm not always gonna give you an orgasm!
NO - i'm not gonna be true!
NO - i'm not gonna die for you!
a bad influence
Ezra Pound, Bukowski and Allen Ginsberg lie at my feet
all copies are stolen
it makes me laugh
it makes me cry
when i lie
to myself
and steal from a library
it's a bad influence -
the thrill of all these words;
under my jacket;
pressing against my chest
this is roughly how it works...
i go in
pick up whatever interests me
stuff whatever that might be into every available cavity
and leave
usually get a ripple on the threshold.
an echo
a recurring flashback
from bad trips to the very-free-shop
hm...
then what?
well
then i bounce all over the street
like manic hopscotch
these hot volumes
fresh from the shelf
down my boxers
starting to singe
surplus spines
starting to spill
from my collar, till
i hit the green of the park
bun up a zoot
and let this language do dirty things to me
he-he-he
ho-ho-ho
Wednesday, April 06, 2011
41linepoems
0 nothing like a hardcore haiku.
1 one line in a poem is neutral.
2 to tell a lie like, "this is false".
3 this is a waste.
4 then-again: it isn't.
1 one line in a poem is neutral.
2 to tell a lie like, "this is false".
3 this is a waste.
4 then-again: it isn't.
Monday, April 04, 2011
maths equals fail
the universe is not an equation, but we do know that if a = 1 and b = 1, then it follows that†...
a = b
and so...
a^2 = a*b
a^2-b^2 = a*b-b^2
(a+b)(a-b) = b(a-b)
(a+b) = b
a + a = a
2a = a
and if a = 1, then...
1 = 2
objective language is a wet dream. even the definitive rigor of mathematics; with its axioms, identities, derivations & transcendental #s, rationalisation of abstract quantities that established architecture & put π in the base of wine glasses & man-hole covers‡; develops from the tangible purity of sacred geometry to hodge-podge probability and chaos when trying to digest messy shit like quantum physics, the stock market, love and lust, or why my ex is a bitch.
†the trick is - you can't devide both sides by (a - b) coz from a = b, a - b = 0 & you cant divide by 0 - it's against the RULES, yo.
‡& bottle tops; wheels; plates; tea lights; cogs etc etc
∴ although language ≠ a clear picture:
THE PROOF IS IN THE PUDDING (consult your pineal gland)
THE PROOF IS IN THE PUDDING (consult your pineal gland)
__________________________________________
†the trick is - you can't devide both sides by (a - b) coz from a = b, a - b = 0 & you cant divide by 0 - it's against the RULES, yo.
‡& bottle tops; wheels; plates; tea lights; cogs etc etc
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